Jaime Camil's return to the Mexican musical theatre was a majestic project. He is represented by one of the best publicists, Ramsés López, who managed to gather the entire artistic community. In the theatre lobby, I greeted many people: Mariana Garza, René Franco, Víctor Noriega, Itatí Cantoral, Gustavo Adolfo Infante, Arlette Pacheco, Pablo Perroni, Lalo Carrillo, Hiram Hurtado, Addis Tuñón… I could go on, as practically the entire artistic scene was there that night. When we took our seats, the magic began. He didn't get to Broadway by chance; you have to prove your ability to be there, and he has more than enough of it. Ricardo Margaleff is sensational. That's why his father chose her to star in this great musical. Her characterization is wonderful, and of course, her talent is top-notch. Truly incredible. I have to say that Emilia is fabulous, not to praise the producer's daughter, but because of the great talent she has. Once again, it's clear that dreams come true. Don't miss it. The moment I saw her, I thought: of course, talent is inherited. He is a great actor with an extraordinary comic sense, and the role suits him perfectly. He has style, grace, and a discipline that is noticeable from the audience. He does a brutal job, and despite being who she is, she remains in the ensemble, proving that when there is talent, you shine wherever you are placed. I also learned something very interesting. There is a musical number in which she dances that truly steals the show. What caught my attention a lot was seeing María Perroni in the ensemble. The stage is imposing, the colors are dazzling, and the children's talent is simply impressive. At intermission, I ran into her dad in the lobby, and we agreed that seeing her inevitably made us remember her mom, Marina, in Vaseline. She sings, dances, and acts with impressive confidence. And as always, I can't thank Alex enough for bringing theatre of such high quality to our country. I invite you to suggest, comment, and also recommend what you like to me. My social media are: Twitter: @Tinajas, Instagram: @tinajas75. See you next week. Ever since you receive an invitation to the premieres of Alejandro Gou, you know you will have a great time. The expectation was high and the wait long, but it was undoubtedly worth it. The day finally came when 'Matilda, the musical' landed in Mexico. All the country's media were there, not a single one missing. Broadway producers love to work with Alejandro Gou because he always presents different versions of the musicals. He likes to innovate and offer new proposals, integrating cutting-edge technology in lighting, videomapping, stage automation, and sound design, achieving a truly unforgettable visual and emotional experience. This story captivated us since 1996, when the film premiered, but we never imagined it would become a musical of this magnitude. No one wants to miss his events because they are a guarantee of quality and that the producer always gives his all, pampering all his guests. Upon arriving on the red carpet, his power of convocation is noticeable. From Friday to Sunday you can enjoy this story that will entertain you from beginning to end. She also forms a perfect partnership with Verónica Jaspeado, who also looks impeccable. They seemed like first-level actors, but they were children.
Matilda Musical Premieres in Mexico City: A Night of Theatre and Talent
Analyzing two articles about cultural events in Mexico City, we see they cover premieres of major musical productions. The first article discusses Jaime Camil's return to the theater and the talents of young artists like Emilia Perroni. The second article focuses on the premiere of 'Matilda' produced by Alejandro Gou, known for his innovative approaches. Both events highlight the richness of Mexico's theatre scene and the high caliber of shows that attract the entire artistic community and public.